Art as Dialogue: Zimbabwean Sculptures Redefine Colonial History
In a powerful fusion of art and activism, over 100 artists from Zimbabwe’s Chitungwiza Arts Centre submitted sculptures reflecting on the contested legacy of Cecil Rhodes, the 19th-century British imperialist. Four standout works—selected from 110 submissions—will debut at Oriel College, Oxford, in September 2025, marking a pivotal moment in global conversations about colonialism and reparative justice .
The Winning Sculpture: “Blindfold Justice”
Chitungwiza-born artist Wallace Mkankha, 34, claimed the competition’s top honor with his sculpture “Blindfold Justice”, chosen as the exhibition’s centerpiece. The piece, alongside three other selected works, will journey from Zimbabwe to the UK, symbolizing a transnational reckoning with Rhodes’ brutal colonial policies in southern Africa . Judges praised the artworks for their “creative engagement” with Rhodes’ complex legacy, which includes violent land annexations and racial segregation .
Judging Panel and Collaborative Vision
Chaired by Oriel College Provost Lord Mendoza, the panel included Zimbabwean UK-based artist Be Manzini, Rhodes Trust Trustee Elleke Boehmer, and OZAP co-founder Norbert Shamuyarira. Mendoza emphasized the exhibition’s dual purpose: to explore colonialism’s nuances and elevate Zimbabwean artistry on a global stage . The competition, organized by the Oxford Zimbabwe Arts Partnership (OZAP), emerged from the Rhodes Must Fall protests as a “constructive healing” initiative .
Exhibition Details and Broader Impact
Opening at Oriel College in September 2025, the exhibition will later tour the University Church of St Mary the Virgin and other UK and Zimbabwean institutions. It aligns with Oriel’s “retain and explain” policy, which preserves Rhodes’ statue while contextualizing his harmful impact . Chitungwiza Arts Centre Chairman Tendai Gwarazava stressed that the sculptures honor ancestors’ resilience and envision a “future of peace and prosperity” .
Why This Matters
This project amplifies marginalized voices in colonial discourse, offering a platform for Zimbabwean artists to reclaim narratives. For SEO, keywords like “Cecil Rhodes legacy,” “Zimbabwean sculpture exhibition,” and “Chitungwiza Arts Centre” enhance visibility. By linking historical accountability with contemporary art, the exhibition sets a precedent for cultural institutions addressing contentious histories.
By centering Zimbabwean perspectives, this exhibition challenges colonial narratives—a lesson in SEO and ethical storytelling. For updates, follow #ChitungwizaToOxford.
